
One Piece: Crimson has develop into the most important money-making movie within the Shonen franchise’s historical past, and part of that’s because of not simply the return of Crimson-Haired Shanks to the anime, however the introduction of his daughter, Uta. With the film having an electrical theatrical run, Eiichiro Oda lately launched the unique designs for the “final diva” whereas additionally displaying Grand Line followers what Uta’s title was initially slated to be previous to Crimson’s launch earlier this 12 months.
Alongside releasing the unique designs for Uta, Eiichiro Oda himself had launched notes on the daughter of Shanks and her design, stating that it will change relying on the kind of music that may be employed inside the fifteenth film of the sequence:
“Relying on what sort of music we go for, it ought to mirror in her look. A lot of the vital traits haven’t but been determined. These are all nonetheless drafts. Nonetheless, thought I would as properly draw some concepts I had deliberate. Let’s please assume completely on if we actually need to go ahead with music. I really feel the film ought to have extra emphasis on music than even One Piece: Gold did.”
Uta Piece: Crimson
Twitter Outlet New World Artur took the chance to share these unique sketches of Uta from One Piece creator Eiichiro Oda, whereas additionally revealing that Uta was initially named “Deborah” earlier than she hit the massive display screen and helped ship a movie that has develop into essentially the most worthwhile within the historical past of the Straw Hat Pirates:
In a really early draft of #OnePiece Movie RED, earlier than her design was even finalized, Uta was initially going to be referred to as “Deborah” pic.twitter.com/8nlKUprlZI
— Artur – Library of Ohara (@newworldartur) December 27, 2022
Very early designs of Uta from #OnePiece Movie RED by Eiichiro Oda! pic.twitter.com/ubpLo6pPln
— Artur – Library of Ohara (@newworldartur) December 27, 2022
If you happen to watched One Piece: Crimson when it hit theaters, you understand that Uta’s future within the Grand Line is up within the air, with even Oda and his producers coming to totally different conclusions as as to if Shanks’ daughter will return to the sequence. After all, the sequence is in its Last Arc and has loads of occasions and characters which are positive to occupy the Straw Hat Pirates’ time, that means that Uta has the clock working towards her if she is planning to revisit Luffy and his crew.
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Do you favor any of Oda’s unique designs for Uta over the aesthetic used for One Piece’s fifteenth movie? Be happy to tell us within the feedback or hit me up instantly on Twitter @EVComedy to speak all issues comics, anime, and the world of the Grand Line.